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How Do We Keep Track of Kit We Hire From Rental Houses So It Goes Back on Time and Gets Recharged?

Video production companies pay late fees on hired kit that sat in a van, and forget to recharge hires to clients. We build a hire log linked to each shoot.

Updated 3 min readBy SpiderHunts Technologies

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Quick answer — TL;DR

Hired kit costs more than it should because collection and return dates are held in rental house emails, kit sits unreturned after a shoot, and hire costs are not always passed on to the client. We build a hire log linked to each shoot that records what was hired, from whom and until when, reminds the right person before the return, and puts the hire on the job for recharging.

A lens that stayed in the van

For a car commercial the company hires an extra camera body, a long lens, a drone package and a lighting upgrade from two rental houses. The hires are arranged by email between the producer and each rental house, with collection on Monday and return on Wednesday evening. The shoot wraps late on Wednesday. The camera body and lighting go back on Thursday morning. The long lens is found in the van on Friday, when the rental house emails asking where it is.

At month end, the producer realises the drone package was booked through the company account but the job was quoted without it, and nobody put it on the client's final invoice.

Why hires slip past their return date

  • Each rental house sends its own paperwork, in its own format, to whoever booked.
  • Return dates are in an email the crew never saw.
  • Kit from several rental houses is mixed together in the van with your own kit.
  • Late wraps push returns into the next day without anyone telling the rental house.
  • Hire costs reach accounts weeks later, often after the client invoice has gone out.

What late returns and missed recharges cost

Extra hire days and late charges come straight off the job's margin. Missing kit becomes a claim and a difficult call. Hires that are not recharged are pure loss, and they happen most on busy jobs where the producer has the least time to check. Rental houses also remember which companies bring kit back late, which matters when you need a favour.

How we build the hire log

  1. Every hire is recorded against a shoot: rental house, items, collection and return dates and times, and the order reference.
  2. Rental confirmations that arrive by email can be read and turned into a draft hire record for the producer to check, which saves retyping item lists.
  3. The crew member responsible for returns is named, and they get a reminder on the day with the rental house address, opening hours and items to return.
  4. If a shoot runs over, the producer can extend the hire in the log, which reminds them to tell the rental house.
  5. Returns are checked item by item, so a missing lens shows before the van is unloaded at base.
  6. Hire costs are attached to the job and marked as rechargeable or included in the quote. Rechargeable hires appear on a list for the client invoice, and can be pushed into Xero or QuickBooks as draft invoice lines.
  7. When the rental house invoice arrives, it is matched against the hire record, so any extra days or damage charges are visible before payment.
Hire fieldUsed for
Items and rental houseReturns checklist
Return date and timeReminder to the named crew member
Order referenceMatching the rental house invoice
Rechargeable or includedClient invoice lines
ExtensionsKnowing why extra days were charged

Wrap day, handled

On the Wednesday of the next shoot, the second camera assistant gets a reminder at lunch listing the hired items and where they go. At wrap, she checks them off in the log. The long lens is ticked, the van is checked, and everything goes back that evening or first thing, as agreed with the rental house.

The rechargeable drone hire is already on the client invoice list. When the rental house invoice arrives, it matches the hire record and is approved without a phone call. When a rental house does charge an extra day, the log shows whether the hire was extended, so the conversation starts from facts.

Sound like your hires?

  • You have paid late fees on hired kit.
  • Hired kit has turned up in the van days after a shoot.
  • Hire costs have been missed off client invoices.
  • Rental confirmations live in one producer's inbox.
  • Rental house invoices are paid without checking against what was hired.

FAQ

Frequently asked questions

The questions readers ask us after this guide.

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Does this connect to rental houses' own systems?

Usually not directly. It reads their confirmation emails and invoices, which works whatever system they use.

Can it work with our in-house kit bookings?

Yes. Hired and owned kit can appear together on the shoot, so the crew see one list.

Which accounts packages does it work with?

Xero and QuickBooks are the common ones, through their APIs. Others we check first.

What drives the cost?

The number of rental houses, how much is automated from their emails, and the connection to your accounts package.

Keep reading

More on Problems We Solve

Start here

Tell us how your production company handles kit and locations

Describe how kit is booked, hired and returned at your company, where location details live, and how cards are offloaded on set. We will tell you which parts are worth building and which are fine as they are, and if a rental system or offload tool you already own can do the job, we will say so.

  1. You tell us what you needTwo minutes on the form, or a message on WhatsApp.
  2. A senior engineer reviews itAnd comes back with questions, a realistic range and an honest view on fit.
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